RENT (20th Anniversary UK Tour)

Malvern Festival Theatre

(Robert Mackintosh and Idili Theatricals Ltd)

La Vie Boheme

The 20^th Anniversary UK tour of Jonathan Larson’s rock opera, Rent, is an unequivocal triumph. Director, Brue Guthrie, has honourably paid homage to the original Broadway production while making it fresh, raw and enticing for a whole new generation.

Inspired by Puccini’s opera La Bohème, the story focuses on a group of bohemian artists who struggle to maintain their friendships and their non-conformist ideals in New York's East Village, in the mid nineties. Anna Fleischle’s stage design captures the very essence of street life with her brilliant recreation of the now famous corner of East 11th Street and Avenue B, delightfully utilising every inch of performance space.

Seasons Of Love

The entire cast are superb, leads and ensemble, and it would be unfair to single out any particular performance. There are wonderfully notable moments from every single actor. Rent is a tough sing and vocals excelled across the board with a talented, five-piece band providing awesome accompaniment.

Getting Lee Proud on the creative team was a stroke of genius and yet again he enhances another production with his exhausting choreography, totally transforming numbers such as La Vie Boheme and Christmas Bells. The Tango Maureen is perfection and Layton William’s dance in Today 4 U defies gravity. There’s certainly plenty to keep dance captain, Katie Bradley, busy!

Today 4 U

This production of Rent is magnificent, a theatrical event that will leave you feeling emotionally violated in the best way possible. It is also proof that you can get new, younger audiences into theatres if only the right stuff is produced. An unusually busy press night and standing ovation from the whole theatre are testament to Larson’s legacy, Guthrie’s vision and the epic efforts of cast, crew, creatives and entire production team. Go and see this show. Book your tickets now!

5 stars

DEAD SHEEP

Malvern Festival Theatre

(Dead Sheep Limited & Cahoots Theatre Company)

Steve Nallon as Thatcher and Paul Bradley as Howe

Occasionally great new writing is wonderfully directed and brilliantly performed, restoring ones faith in live theatre. So is the case with Dead Sheep, the intriguing story of how Britain’s first female Prime Minister, Margaret Thatcher, fatally underestimated her mild mannered, Foreign Secretary, Geoffrey Howe. Although not the most entertaining topic for a play perhaps, Jonathan Maitland has penned an ingenious, satirical look at events that seemingly led to the political demise of the Iron Lady.

Paul Bradley is utterly charming as the socially awkward Howe, egged on by his ambitious wife, Elspeth, deftly played by Carol Royle.  The references to The Scottish Play worked perfectly in the portrayal of this relationship. Steve Nallon, who famously presented the voice of Maggie Thatcher in Spitting Image for so many years, is unnervingly convincing as the former PM, throwing looks that elicited audible winces from the auditorium. The remaining characters are skilfully played by Graham Seed, John Wark and Christopher Villiers, who also collectively narrate the action throughout. Villiers’ physicalisation of characters at Prime Minister’s question time is extremely entertaining and note worthy, as is the telephone scene. Simply brilliant!

Director, Ian Talbot, really shows his metal with the staging of this piece, capitalising on the skills afforded him by the actors. The physical humour is welcomingly abundant and adds worthy value to the script and storytelling. Morgan Large has designed a perfectly simplistic set that effortlessly transforms from location to location without interrupting the action, excellently enhanced by David Howe’s lighting design.

This is a great production and well worth seeing.  It is on at Malvern Festival Theatre until Saturday.

4 stars