Tuesday, August 7, 2012

'Volcano' review

Malvern Festival Theatre

VOLCANO (Bill Kenwright Productions)

Believed to be based on the Bond writer, Ian Flemming’s martial transgressions, Volcano is one of Noel Coward’s lesser know plays, mostly due to the scandalous content, which censors of the time would have struggled with approving for public consumption. Nowadays, however, the issue of infidelity and broken relationships is all too frequently plastered over glossy magazine covers in a desperate attempt to increase readership and satisfy the need of some to revel in other’s trials and tribulations.
Set on the fictional Pacific island of Samolo, Simon Scullion’s set design beautifully replicates the Colonial home of Adela Shelley, subtly portrayed by the iconic Jenny Seagrove. This idyll is often frequented by playboy, ‘Guido’ Littleton, suavely played by Jason Durr, whose desperate attempts to sleep with Adela are thwarted by her at every turn. Emotions run high with the imminent arrival of Guido’s long-suffering wife, Melissa, played by Dawn Steele, who perfectly explores the vulnerability of this poor lady that exists with the tour-de-force façade. Focused on the affair of which she suspects her husband to be embroiled, she fails to notice the blossoming romance developing with Perdita Avery’s beautiful Ellen Danbury, who’s vocal performance is a wonderful homage to Coward and superbly matched by her awkward husband, Keith, played by Tim Daish. The arising conflicts are mimicked in nature with volcanic disturbance and despite the optimistic attempts of kindly neighbours, Grizelda and Robin, adoringly characterised by Finty Williams and Robin Sebastian, things come to a head as the volcano erupts.
This is a gentle play that doesn’t really get going until the second act. Roy Marsden’s direction is a joy to watch as he cleverly changes the audience’s visual perspective through simple, yet effective staging (and up-staging) and creates lovely tableaux throughout the story. Mike Robertson’s lighting and, the appropriately named, Matthew Bugg’s sound evoked the ideal ambience and backdrop. This play has some classic, cutting Coward quips and gives insight into another side of this iconic writer. Volcano runs until Saturday.

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