Tuesday, September 24, 2013

THE PRIVATE EAR, THE PUBIC EYE

Malvern Festival Theatre

ORIGINAL THEATRE COMPANY & YVONNE ARNAUD THEATRE


The Private Ear and The Public Eye at Malvern Theatres this week is a revival of Peter Shaffer's 1960's play, which originally starred Dame Maggie Smith and Kenneth Williams.

This piece is effectively two one-act plays that present real time events with seemingly no obvious connection, other than two of the actors playing characters in both stories. However, Original Theatre Company identified a connection with a central character in each play whom experienced his world predominately through sound in the first play and mostly sight in the second play, therefore collectively creating an incredibly observant being. These two contrasting characters are magnificently performed by Steven Blakely, who successfully takes on this epic theatrical challenge with a level of skill and dexterity rarely seen in the profession.

A high level of professionalism is maintained by the other cast members, who revel in their parts under the wonderful direction of Alistair Whatley. It is such a joy to see a production that has been shaped by a talented visionary, such as Whatley. In The Private Ear, Rupert Hill is perfect as the playboy Ted, a charmer who's over zealous nature is merely compensating for his tragically unhappy childhood. Siobhan O'Kelly is superbly awkward as Doreen, Bob's date and then transforms into a 'hip' young lady, brimming with confidence and adventure as Belinda in The Public Eye. Here she is joined by the Jasper Britton, who gives an energised interpretation of the frustrated and somewhat pompous, Jasper.

The set by Hayley Grindle undergoes a thoroughly entertaining transformation at the opening of the second act and her costume designs are superbly reminiscent of the swinging 60s. The creative team is excellent and the actors triumph in their individual performances, securely handling a weighty text with confidence and ease. These plays will not be everyone's cup of tea but Original Theatre Company more than make up for what the stories lack, with a dazzling brilliance of talent.

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