DRIVING MISS DAISY (Julian Stoneman Associates Limited)
Gwen Taylor as Miss Daisy |
The 2012 award winning production of Driving Miss Daisy
comes direct from Broadway and the West End to Malvern Festival Theatre this
week, absolutely justifying its critical acclaim and rave reviews.
This incredibly heart-warming play affectionately explores
the relationship that develops between an elderly, Jewish widow and an aging,
black chauffeur, who was hired by her son, despite her objections, after she
wrote off her new car, taking out a couple of buildings in the course of the unfortunate
event. The story, set in the Southern American state of Georgia, unfolds over
two decades from 1948 to 1973, during the height of the Civil Rights Movement.
Despite what many believe, this moving tale was originally written
by Alfred Uhry for the stage, premiering off Broadway, before being made into
an Oscar winning film, starring Jessica Tandy and Morgan Freeman. Since then it
has enjoyed much theatrical success with numerous stars adopting the lead
roles, soon to include Angela Landsbury and James Earl Jones in a production in
Australia next year.
Don Warrington as Hoke |
The immensely talented Gwen Taylor is outstanding in the
eponymous role of Miss Daisy, perfectly articulating her Southern drawl and
physically transforming, with absolute believability, as the character ages
from her early seventies to mid nineties. Don Warrington, another national
treasure, is utterly authentic as the driver, Hoke, creating a perfect
partnership with whom to share the journey. Ian Porter brilliantly brings the
final piece of this ensemble together in the guise of Boolie, Miss Daisy’s
frustrated son. The rapport on stage, between these three actors, is a joy to
experience.
David Esbjornson, who directed the play’s West End and
Broadway debut, uses a simple set and cleverly enhances this production by
integrating lovely underscoring with emotive lighting and projections to create
a positively enchanting atmosphere for the telling of a tenderly moving tale.
This is possibly the best production to have played at
Malvern this year and is definitely worth seeing. Without an interval, it is
one and a half hours of uninterrupted indulgence. Driving Miss Daisy runs until
Saturday.
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