(Martin Dodd for UK Productions)
UK Productions return to Malvern Festival Theatre this
yuletide with a gem of a pantomime, Aladdin! For those of you who have been
locked away in the Cave of Wonders for all eternity, this is the tale of a poor
street urchin with big dreams, who falls in love with a princess and the
magical journey that takes him from China to Morocco and back again in order to
make his dreams come true.
Hi-5 presenter, Chris Edgerley, is utterly adorable in the
title role and arguably the most likeable Aladdin ever. Equally charming and
immensely mischievous is Milkshake presenter, Derek Moran, as the cheeky
chappy, Wishee Washee. Both run rings around their mother, Widow Twanky, who
scrapes together a living running the local launderette. Ian Good is hilarious
as this iconic dame, with a fabulous array of outrageous costumes and the most
impressive collection of wigs ever seen. The energy that these three exude
throughout the show is exhilarating. Rebecca Marks is a beautiful princess with
a refreshingly determined attitude, as she fights for what she truly believes,
despite being bullied by her father, the Emperor, convincingly played by
Spencer K Gibbins. Mark James is brilliant as PC Pong, whose attempts to keep
law and order, in Peking, are thwarted at every corner. The magical characters
are perfectly presented by Carrie Rawlings, who is the feisty, yet lovable,
Slave of the Ring, and Connor J Barrie, with his washboard abs and enchanting
smile, as the Genie. Show business royalty, Robert Powell, is wonderful as the
evil Abanazar. His booming voice and humility at being the butt of many jokes
about his career and theatrical training make him the most endearing of
baddies.
Jak Skelly, Emily Brown, Nikki Foulkes, Amelia Arnold and
Sabrina Egerton, along with young dancers from Cecilia Hall Dance Centre,
execute Alistair Bull’s choreography with precision and poise, under Dean
McDermott’s up-beat musical direction. As well as being dame, Good is also the director
and he does a superb job at telling the story of Aladdin, a factor that is
often overlooked by many directors less skilled in the art of pantomime. Despite
this production being rich in dialogue in the first act and comedic ‘business’
heavy in the second act, the story was never sacrificed for the sake of the
slapstick scenes.
With songs ranging from chart hits to musicals, even an
ingenious inclusion of You And Me (But Mostly Me) from The Book of Mormon, this
panto really has something for everyone and is a guaranteed great outing for
all the family. Aladdin runs until Sunday 4th January 2015.
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