Tuesday, June 7, 2016

AFTER MISS JULIE


Malvern Festival Theatre
(Theatre Royal Bath Productions)

Helen George as Miss Julie
Star of BBC’s Call The Midwife and Strictly Come Dancing, Helen George, is disturbingly brilliant in the eponymous role of Patrick Marber’s play After Miss Julie. A life of privilege has left Miss Julie bereft of any sense of self, as she struggles for identity in a time of huge social change at the end of the 2nd World War. A juxtaposed product of her father’s thoughts and her mother’s feelings, she is confused and desperate to be loved. On a night of celebration for the Labour landslide victory, she focuses her attentions on the self-assured chauffeur. A class driven power struggle ensues with an innocent third party getting caught in the crossfire.  At its heart, this is a story of volatile co-dependency fuelled by fear, insecurity and desire for recognition.
Marber’s script is disjointed and requires immense emotional dexterity from the three actors. George absolutely nails it, as the aristocratic ticking time bomb, Miss Julie. Equally impressive is Amy Cudden’s performance as the devoted Christine and although Richard Flood, as her intended, John, doesn’t quiet convince in his more tender moments, his arrogance and anger are spot on. On the whole, Anthony Banks’ direction is good but there are times that the dialogue and action lack the right intention. Some of the staging is ineffective too, in particular the stage slaps, which are poorly masked and don’t have the desired impact, despite the actors delivering them perfectly. Colin Richmond has produced the most stunning set, which is magically transformed over the course of the action with Philip Gladwell’s inspired lighting design.
This one act play is a real emotional rollercoaster and is captivating as the subject matter is uncomfortable. This is definitely one to see and runs at Malvern Theatres until Saturday before continuing the last leg of the tour in Brighton, Richmond and Milton Keynes.
4 stars

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